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With the recent banning of Speedo’s LZR sharkskin-inspired speedsuits and the exposure of possible steroid use by Boston Red Sox baseball player David Ortiz, it raises an exciting question: What role does design play in the evolution of sport?

Michael Phelps’ eight Olympic gold medals is a record that may never be broken, all set while wearing Speedo’s suit. The suit is modeled after the drag-resistant texture of sharkskin and compresses the swimmer’s body in key areas. Though Olympic records are falling, most world-class swimmers have access to the suits — is this an unfair advantage or an enhanced design?

Andy Roddick hits tennis balls fast. 153 MPH fast. Speeds like these were unheard of in the days of Rod Laver and wooden tennis racquets. Nowadays it is commonplace for men and women on the professional tour to be serving well above 100 MPH. Now that graphite, titanium and ceramic composites are routinely used for weight reduction and enhanced rigidity, even beginners have the opportunity to use something much improved over the tennis racquets of yore. But are the racquets improved or is the game just different?

400-yard drives on the golf course? Not before monster-sized titanium club heads.
Track spikes that are lighter than a slice of 7-grain bread? Not just for Olympians anymore.

Why should full-body swimsuits be any different?

Can a shoe be too light? Can a ski have too much spring?

Should altering an athlete’s equipment be any different than altering an athlete’s body? What is “ethical” body-altering? How about Red Bull energy drink? Can an athlete with a super-reconstructed knee jump higher or cut quicker than one without? How “able” should an athlete be? How soon will it be before athletes intentionally integrate prostheses or have healthy joints and limbs replaced with titanium ones before the original is worn out?

What is “performance enhancing design”? Few groups are asking and acting upon such questions — certainly there are lots of terrific opportunities to evolve sport and enable our bodies to push the limits of sport, but within what ethical boundaries? And how can (or should) design enhance such experiences?

Aug
27th

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Design Overview

The electricity monitoring system consists of two major components. The first component is the utility meter reading device, the second is the data server. The utility meter reader monitors electricity usage and sends the latest value to the data server via TCP/IP sockets. The data server stores this value and serves the historical data through custom Perl scripts for web page display or RSS feed.

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Utility meter reading in the electrical closet.

 

Overview

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The Elster A3 Alpha utility meter has a blinking box (called Kh in the manual) on the LCD display with a blink frequency proportional to the instantaneous power use (marked by A in the above image). Every time the box changes state, this indicates .9kWh have been used. This will be our method of monitoring instantaneous power use. 

 In short this is an Embedded Linux device centered upon a Freescale iMx21 processor. It optically reads power usage from the utility meter and feeds the latest power consumption data to the server through a custom TCP/IP socket.

 The main requirement for the meter reader was flexibility. Some other requirements are video input/output and Ethernet. As a result I decided to use an ARM based processor that could run embedded Linux. This would allow me to develop software in a flexible Linux setting using GNU libraries and I would have a greater array of compatible hardware peripherals should I need them. 

Freescale iMX

We have worked with Freescale iMX processors on a few previous projects before so I knew they would be sufficient for my needs.  The iMX21 micro has an Enhanced Multi-Media Acceleration (EMMA) peripheral built in which frees the ARM processor from some of the intensive video manipulation tasks. The M9328MX21ADS development board from Freescale comes with an Embedded Linux BSP making it a very attractive platform for its “out of the box” quality.  Plus Gerry Vahe the FAE at Freescale is an Embedded Linux buff and he is a great resource because if you have ever built an embedded Linux development environment you know it can be a headache at times!

Freescale M9328MX21ADS development board, some notable features: 

·     IMX21 Arm Processor

·      Video Camera

·     3.5″ TGT QVGA LCD module 

·        Ethernet Interface, RS232

·     Hardware based RS232 bootloader ensuring I can never “brick” my device. 

Freescale Linux BSP with LTIB

·     Powerful kernel containing drivers for hardware included with the ADS dev. board

·      Blob TCP/IP bootloader featuring NFS capabilities & RS232 shell terminal

·      Includes GNU arm compilers and libraries

·      Includes a large array of demonstration applications and utilities.

I especially like the flexibility of deleloping an embedded device using NFS (Network File System). With NFS I don’t need to flash the device with new firmware for each build, I just recompile and reboot the device. The bootloader is setup with the proper IPs to fetch the kernel and file system image from my Linux development machine.

Tune in next week for a description of the software.  

 

Aug
24th

Design Patriotism

Posted by Jeremy Zietz

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The empowerment of consumers in a free market society affords us all our dollar votes. However, the balance of this free market scale, originally defined by 18th century economist Adam Smith, implies a level of transparency and knowledge. These days, products which are built to last are undervalued and “Made in USA” claims are no longer the heavyweights they were, much less possible. Now that our society is in deep with China, who manufactures over $280 billion of our products, is it time for us to take a closer look at our values and dollar votes? How will we decide the shape of designs to come? How will we as consumers re-energize our economy to support a healthier American body? 

Consumer Activism

Consumer activism has been part of our history since the boycotts of the Revolutionary War. Through consumer’s choices the “invisible hand” leads us to patronize and invest. Supporting products and services with our patronage is apart of our country’s heritage. However, voting with our dollar has never been more complex. Nearly every product aimed at us with precision comes decked with variables in fine print and a barrage of implications. As our ability to understand our product’s make-up and their respective systems has declined, our means for consciously buying has dwindled away.

If we apply this same activism to the more literal consumption of food we see an analogous battle. Many consumers are becoming more aware of the organic vocabulary and are slowly realizing the impact of ingesting these manufactured goods into their own bodies. Agribusiness will face real growing pains as book titles like “In Defense of Food” by Michael Pollan slowly bend our mainstream mentality. Robert Kenner’s recent film, Food, Inc., also takes direct aim at transparency in agribusiness. In parallel, we must consider this ingestion in a wider view of products. How complete is the public’s knowledge of the impacts of the products we support? Are we as buyers the well-versed nutritionist or the kid in the candy store with little knowledge of our own health? As we put a close eye on each dollar spent in today’s economy, the demand is up on values and knowledge. Each dollar counts.    

Disconnection to Manufacturing

The consumer’s ability to vote for product systems properly has been nullified by their detachment from making goods. To understand how our stuff is made requires a full understanding of its material sourcing and manufacturing processes, shipping and distribution channels, and where it ends up. As it stands, life cycle analysis is not for the common consumer. Most of people’s time at the point-of-purchase is dedicated to figuring out gangly new interfaces, not an analysis of shipping routes and raw material mines. To highlight the disconnection between consumers and manufacturing processes, we find programs like How It’s Made, on The Discovery Channel, a fantastic spectacle. To many, this is the closest they’ll get to understanding the processes of making everything we own, to scale. Edward Burtynsky shows how it’s no Gepetto hammering away making our stuff. He paints a rarely seen picture.

Burtynsky, the acclaimed documentarian of Manufacturing Landscapes, is not out to ruin our comfort with buying our cozy products. He’s a photographer who wants to honestly depict the reality of the modern machine. Within the space of consumerism literature and publicity, Burtynsky’s approach is unique; his open narrative quietly emphasizes the potency of scale. He is one of many making the profound point that we have a very limited understanding of the resources it takes to make our products, how many countries and stakeholders were involved, and where our products go after their planned obsolescence. We must consider how such large and complex systems effects our free market scale where knowledge and transparency are key.  It’s oddly enlightening to find anything like the Footprint Chronicles, an honest window into Patagonia’s process of making. We must work towards a new intimacy with making. While Big Box retailers continue slashing prices with a wink consumers need to think twice about their vote. 

Mainstream vs. Underground

More than a third of Americans shop at Walmart each week. Alongside this we notice its ever burgeoning counter force, the world of handmade craft. Marking this industry’s progress are web communities like Supermarket and Etsy. Only started in 2005, Etsy now has over 200,000 sellers who bring in over $12 million worth of goods per month. Documenting this recent explosion is Handmade Nation. They captured the movement late last year with their film and book release telling a new story of our roles as both consumers and producers. It exposes a different side to product development, the punk rock side.

As craft fairs pop up in gymnasiums, warehouses and small boutiques around the nation the movement appears as a rebellion. This time consumers are introducing something new to buying: community. The new-found value of having an authentic understanding of a product and a relationship with its maker is like a slap in the face. Designers in this realm thrive off of networking and joining into a collective understanding of their resources. Handmade Detroit shows a vibrant online hub for exchanging ideas, skills, resources, and events. This exchange has allowed the craft world to move beyond an incestuous offering of kitchy stationary and cutesy flowery cut-and-sew products. These communities can now develop structures that allow for more complex processes and advance as the industry becomes more robust. The makers can nimbly select materials that accurately align with buyer’s most current values such as sustainable materials or local produce. Ultimately, this helps refine the creative expression of individual communities, making beautifully unique culture.

With new values of community and hand craft, Hartmut Esslingers’ original expression of emotional design through Apple’s early products is sure to evolve into something more transparent, connected, and hands-on. 

Design Within Reach

Shifting into a paradigm of consciousness means a tough learning curve. With more values infiltrating our systems of “voting” for products consumers will look for simpler, more transparent solutions. Sure, language systems will need to be invented to communicate a product’s social and ecological impacts (certifications and “nutritional facts” labels for products). However, today’s handmade craft world shows how it’s more than feeling good through effective communication and marketing. Product systems which sustain will ultimately be made through an involvement in the community and an intimacy with the creative process.

Being involved in a community of commerce is about personal relationships with the people involved, the stakeholders. Who’s behind the process? What motivates them? Strong product development companies and vendors know the value of these connections and spend big on fine-tuned service and sales. Similarly, we still realize the value of that ashtray we made in art class for our parents (smoking or non) and its endless value, a stamp in time.  Owning things that are connected to strong relationships is of the highest value. The tighter our list of stakeholders becomes, the more we gain an understanding of the process and invest in our communities. We may see how development systems working on this community scale can more efficiently customize solutions to its needs and promote its own expression. As consumers understand their products more, stakeholder’s values of fair trade, worker’s rights, and local manufacturing will be heightened.

With the typical scale of production, involving the consumer in the creative process oftentimes means more SKU’s, colorways, mass customization, or a complex aftermarket. However, as we grow closer to the process, consumers will be offered more personalized solutions and empowered to adopt the DIY movement. In a struggling economy we’ll realize great design and powerful dollar votes by enabling communities to access the creative design process. Ponoko is one example of an enabling product system that allows an online community to submit their own designs using laser cutting as its medium. Places like 3rd Ward and The Workroom can now get more traction as people in their community jump in and get designing. Systems like these promote an collective and accessible process which naturally fulfills its needs and potential, starting to look very much like an open source network.

Considering these ideas of transparency and craft, the mentality of “good design” will be more accessible for common consumers to grasp. They can start to vote for products which they understand, enabling them to invest in products which align with their values. In just a couple generations, the ancient tool of design has been refined for making products on massive scale that encompasses many cultures. Reapplying the same tool with a bit of consciousness may just help us navigate through the economic wasteland. Maybe we can spend less time moping about the economy in Walmart, and instead realize our own resources and creativity. The US is rebranding itself, spread the word.

Aug
19th

Slow Money & Nurture Capitalism

Posted by Anna Muoio

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“I’m just a regular person who thinks everything is out of control.”

This is how Woody Tasch, author of the new book Slow Money: Investing as if Food, Farms and Fertility Mattered and founder of the burgeoning Slow Money Alliance, began his talk last week to a group attending Boston’s Slow Food meeting.

The topic on hand: How to bring money back down to earth. Literally. How to slow money down from its dizzying (and destructive) speed where all it takes is seconds for “collateral” to get parsed into pieces, distributed as “debt” that no one is responsible for, or understands where it actually ends up. The world of finance has been like playing a high-priced game of “Musical Chairs”—with no chairs. And in this world, there is no place that’s “here.” Investing is perplexingly abstract and has little to do with place or relationships. Externalized this way, few grasp the implications of financial dislocation, of a financial system where money is nomadic and wanders un-rooted—until, as we’ve witnessed with the meltdown, the game ends abruptly and we’ve all landed on our butts wondering where the chairs went.

In this blog, I’ve talked about the current “redesign” of capitalism led by leaders such as Bill Gates to John Mackey. From creative capitalism to conscious capitalism there’s another to add to the discourse: nurture capitalism. It’s the new strain of capitalism being promoted by Woody Tasch a guy who cares about soil, farming, food, money and and new ways of thinking about how they all go together. Tasch is ex-chairman of the Investors’ Circle, a network of angel investors, venture capitalists, foundations and family offices that have facilitated the flow of over $100 million to hundreds of early-stage companies dedicated to sustainability. He’s now got a new mission on his mind.

Tasch’s Slow Money Alliance is about redesigning a segment of the market so it’s not, as EF Schumacher famously said, “an institutionalization of irresponsibility.” It’s about designing ways to mobilize capital to invest in small food enterprises to create viable local food networks—that support local food communities and soil fertility. Quite simply, it’s about creating a food system where you can buy a clove of garlic that comes from the farm in your own state, not from one 7,000 miles away in China. Not because “locavore” and the precise calculation of food miles is all the trend these days; but because to choose not to design a sustainable system is to continue to threaten the very thing that sustains us: our soil and the people who extract food from it in sustainable ways in order to fill our bellies.

How many minutes of the day do you spend thinking about soil fertility? I would venture close to none. The opening of Tasch’s book is an eye-opener as to why we should, if not care, at least expend a few CPU cycles thinking about the importance of something so banal as dirt. A litany of grim statistics about loss of soil fertility (“It takes roughly a millennium to build an inch or two of soil; it takes less than forty years, on average, to strip an inch of soil by farming in ways that are more focused on current yield than on sustaining fertility…) and the direct implications—for our stomachs and the necessary act of eating—of a continuation of this trend, are packed into his preface.

What’s refreshing is that Tasch directs the conversation of sustainable agriculture away from a parade of possible technological fixes (better synthetic fertilizers, smarter seeds, more efficiency, etc) to the financial fix needed to address this problem:

The problems we face with respect to soil fertility, biodiversity, food quality, and local economies are not primarily problems of technology. They are problems of finance. In a financial system organized to optimize the efficient use of capital, we should not be surprised to end up with cheapened food, millions of acres of GMO corn, billions of food miles, dying Main Streets, kids who think food comes from supermarkets, and obesity epidemics side by side with persistent hunger.

Speed is a big part of the problem. We are extracting generations worth of vitality from our land and our communities. We are acting as if the biological and the agrarian can be indefinitely subjugated to the technological and the industrial without significant consequence. We are, as the colloquial saying puts it, beginning to believe our own bullshit.

Tasch’s book, part factual spreadsheet part poetic diatribe, consistently asks us to reexamine the, uh, feces of thought we’ve been buying all these years. Last week he quieted the room when he asked: “What would the world be like if we invested 50% of our assets within 50 miles of where we live?” It’s a brow-furrowing question without a set of easy answers or platter of puffy platitudes. And it’s a larger set of issues Tasch and his Slow Money Alliance are addressing: How to effectively keep money local. Rooted. Attached to place.

These ideas have a direct lineage to and share DNA with those of Slow Food, an international movement out of Bra, Italy which I wrote about in a previous life for Fast Company magazine. It’s no surprise that Carlo Petrini, Slow Food’s founder, wrote the forward to Tasch’s book. Now with over 100,000 members in 132 countries, Slow Food is still countering, as they say on their web site, “fast food and fast life, the disappearance of local food traditions and people’s dwindling interest in the food they eat, where it comes from, how it tastes and how our food choices affect the rest of the world.” (italics mine) It’s a conversation that’s been perpetuated and fortified by food luminaries such as Alice Waters, Eric Schlosser, Michael Pollan and Marc Bittman.

A paragraph from the article I wrote about Slow Food echoes much of Tasch’s current sentiments and stresses the imperative of designing alternate systems of food production:

Over the years, Slow Food has evolved from a gourmet organization concerned solely with exalting food and drink to a movement with a mission to promote food diversity and to prevent the extinction of domestic animals, plants, fruits, and vegetables. In the Slow Food worldview, a loss of diversity — driven largely by our obsession with speed — means a gain of one thing: a bland, new world. “At the beginning of the century, for instance, there were about 200 varieties of artichokes in Italy,” says Sardo. “Now there are only about a dozen. Each day, we lose several varieties of vegetable or animal species. Not only does that have huge gastronomic implications, threatening the diversification of taste, but it also has profound ecological implications.”

While Slow Food addresses this relentless commoditization and standardization of food from a cultural imperative rooted in the importance of diversification (and a fair amount of outrage at the deterioration of the pleasure of eating by the blight of fast food purveyors), Tasch is focused on rethinking how we fund modern enterprises. Of the $500 billion of professionally managed philanthropic money in play, for instance, only 100th of 1% (so roughly $50 million) is currently invested in sustainable agriculture. Slow Money hopes to bring some balance to this equation. Like Slow Food—that aims to “offer people an entirely new food-production-and-distribution model, an alternative to the current big-scale, industrialized model”—Tasch and his merry band of venture capitalists aim to: “Create local capacity to invest local capital in local food systems—as a way to build a complimentary set of economic activities to counter the buy low, sell high, profit maximization methods of our current economy.”

I had a distinct feeling of déjà vu listening to Tasch—like this conversation has spent a long time weaving and winding its way through the zeitgeist. But is was a welcomed experience. I left the conversation with Tasch thinking about, of all things, Deep Throat. It was his advice, if you want to gain insight into how things truly work, to “follow the money.” In this case, it will be interesting to see if money directed in a “slow” way can give us a new understanding of different ways of structuring our world. Give us different ways of producing and consuming food. There’s no reason the design community cannot lend its formidable talents to this dilemma and help rethink the intersection of food, farms, (soil) fertility and money as if it mattered—because it does.

If you’re so compelled, visit the Slow Money Alliance site, read their guiding principles and sign up. Tasch’s goal is to get 1 million people to sign his alliance. And if you’re really compelled, head to Santa Fe this September for the first national gathering of the Slow Money Movement.

Aug
17th

Observations in a Year of Recession

Posted by Chris Michaud

Observations in a Year of Recession from Continuum on Vimeo.

I found this collection of illustrated factoids pinned to a piece of foam core in the back corner of our studio the other day. I was drawn to their simple and effective communication style, as well as the diversity of the observations. Upon tracking down the illustrator (Rose Manning), I asked if I could use them. I wasn’t quite sure what for, but in the end, I took them and set them to a bit of music. Titled “Observations in a Year of Recession”, the three minute video seems to capture aspects of what the last year has felt like for many of us. Beyond the headlines of government bailouts, Wall Street failures, and falling home prices, the factoids focus on how this transition has affected the people who make up our economy, not just the businesses. I shared the video with a few friends and a simple question kept coming back – Is there a bigger picture to be drawn from these observations?
I suspect there are many implications one could read into this collection of tidbits. Here are two of mine:

1) TIME FOR DISRUPTIVE INNOVATION
I believe people will be more receptive than ever to disruptive innovations. In a recession, we are more actively making value-based purchase decisions. We are more conscious than ever about how we spend our money. This is not simply about finding the lowest price; people are seeking out the strongest value proposition. We are re-prioritizing purchase decisions based on what’s most valuable, rationally and emotionally. In today’s economy, people are willing to trade off some level of quality for a better value. This is one of the classic market dynamics in which disruptive innovations can flourish. The market is primed for new, better-value solutions.

Now is the time to explore opportunities to recalibrate a category, or create a new one, through the introduction of disruptive innovations. By offering a better-value product or service, in a way that the market does not expect, new market leaders can be established. On example that comes to mind is the netbook. I don’t think there could be a better time for a full court press of netbooks into the mainstream. Consumers will be more receptive than ever to a lower cost option, even if that cost comes with a decrease in performance.

2) MANAGE YOUR VALUE PROPOSITION
As people seek out the strongest value proposition – the brands that have diligently focused on value are being rewarded. McDonald’s, who has had a relentless focus on value, is being rewarded with strong growth during this economic downturn. Similarly, WalMart has benefited, as its value proposition is more in tune with today’s economy. And I don’t think this is just about low prices; each of these brands has worked diligently to improve their offering. As a result, I fully suspect at least some portion of the added market share they pick up today will likely stay with them as our economy rebounds.

In today’s market, the focus has to be on optimizing your value proposition. More than simply reducing your price, every brand needs to find the right combination of price and quality. And if you’re going to demand a price premium in the market, much as Apple does, you must be sure your offer is appreciably differentiated in a manner consumers can relate to and in a way that they value. This seems obvious, but as we see the onslaught of store brands winning market share from traditional brand leaders, it is a stark reminder of how an open market works.

I hope to hear about insights and implications others can tease out of these observations, or from your own experience through the last year.

Aug
5th

Reading Power Use… Somehow

Posted by Mike Costa

2 of a 5 part series

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Option 1

There are many options to monitoring power use.  One such way is to attach inductive coils around the main power lines to monitor Voltage and Current.  There are lots of products on the market that can be used in a residential setting.  These products require direct access to the mains power lines, but our commercial electrical closet has a main circuit breaker indicating 4000 Amps.  There is no way we were going anywhere near that!  Since we did not want to professionally install any expensive equipment for this initial experimentation stage we opted not to go this route.

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from Elster Alpha Plus manual

 

Option 2

The Elster utility meter has an ANSI C12 Infrared data port on the front (marked by B in the above image) offering the ability to read power measurements from the meter.  The hardware protocol is a simple RS232 like-Infrared serial protocol.  We initially considered using this data port to read data from the meter but upon talking to NStar about it they told us we were not permitted to attach anything to the meter itself as this would be a violation of the meter lease agreement.

Option 3

The Elster meter has a numerical LCD display of the total watt/hours accumulated by the meter over a finite period of time.  We considered implementing an Optical Character Recognition system that would read the values on the LCD with a webcam and convert that to power use.  Unfortunately the values seemed to only update on a daily basis.  We wanted at least up to the minute resolution so this method was out of the question.

Option 4

After some research on the Elster A3 Alpha utility meter I found that there is a blinking box on the LCD display that has a frequency proportional to the instantaneous power use (marked by A in the above image).  Every time the box changes state, this indicates .9kWh (kilo Watt hours) have been used.  Finally a feature we can work with!  We will watch the blinking box with a web cam on an embedded Linux device and determine the energy use by monitoring the blink rate.

Tune in next week where I discuss the electronics and software design.

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